[162], In 1904, Debussy played the piano accompaniment for Mary Garden in recordings for the Compagnie française du Gramophone of four of his songs: three mélodies from the Verlaine cycle Ariettes oubliées – "Il pleure dans mon coeur", "L'ombre des arbres" and "Green" – and "Mes longs cheveux", from Act III of Pelléas et Mélisande. Biographie de Debussy [modifier | modifier le wikicode] voir sur Wikipédia Claude Debussy. », « parfait pour la lecture et la dictée ; encore étourdi pour la théorie, bien qu’il la comprenne fort bien. Unlike some notable collections of preludes from prior times, such as Chopin's Op. [115], In contrast to the "impressionistic" characterisation of Debussy's music, several writers have suggested that he structured at least some of his music on rigorous mathematical lines. He responded positively to Wagner's sensuousness, mastery of form, and striking harmonies,[2] and was briefly influenced by them,[37] but, unlike some other French composers of his generation, he concluded that there was no future in attempting to adopt and develop Wagner's style. C’est, avant tout, l’exposition universelle de 1889, et sa découverte de rythmes et d’associations de sonorités « exotiques », plus spécifiquement celles du gamelan javanais, qui lui font forte impression, et influent profondément sur ses compositions à venir : gamme, « couleurs » sonores, ruptures rythmiques. Claude Debussy — Wikipédia Claude Debussy est un compositeur français à cheval entre le XIXème siècle et le XXe. 20–21; Walsh (2003), Chapter 1; and Jensen, pp. Mais l’Opéra-comique et le compositeur accordèrent le rôle à Mary Garden, une jeune soprano américano-écossaise. Historique. Achille-Claude Debussy (22. august 1862.- 25.mart 1918.) [64] The vocal score was published in early May, and the full orchestral score in 1904. In 1890 he began work on an orchestral piece inspired by Edgar Allan Poe's The Fall of the House of Usher and later sketched the libretto for an opera, La chute de la maison Usher. Howat suggests that some of Debussy's pieces can be divided into sections that reflect the golden ratio, which is approximated by ratios of consecutive numbers in the Fibonacci sequence. [160] Others have made orchestrations of some of the piano and vocal works, including John Adams's version of four of the Baudelaire songs (Le Livre de Baudelaire, 1994), Robin Holloway's of En blanc et noir (2002), and Colin Matthews's of both books of Préludes (2001–2006). À Marmontel d’ajouter un an plus tard dans un jugement d’ensemble : « Charmant enfant, véritable tempérament d’artiste ; deviendra un musicien distingué ; beaucoup d'avenir[13]. Claude Debussy, in full Achille-Claude Debussy, (born August 22, 1862, Saint-Germain-en-Laye, France—died March 25, 1918, Paris), French composer whose works were a seminal force in the music of the 20th century. Biographie courte de Claude Debussy - Achille-Claude Debussy naît l'aîné d'une famille modeste. (The "CD." [152] Stravinsky was more ambivalent about Debussy's music (he thought Pelléas "a terrible bore ... in spite of many wonderful pages")[153] but the two composers knew each other and Stravinsky's Symphonies of Wind Instruments (1920) was written as a memorial for Debussy. « Il me semble que nous avons bien changé », lui dit-elle, « Oh non, Madame, nous n’avons pas changé, c’est le temps qui a changé. Some praised the work, but Pierre Lalo, critic of Le Temps, hitherto an admirer of Debussy, wrote, "I do not hear, I do not see, I do not smell the sea". Et pourtant, durant les préparations de la représentation, des incidents se produisirent qui auraient pu en faire un échec cuisant ; Debussy avait reçu l’autorisation de Maeterlinck d’utiliser son livret à la seule condition que sa compagne, Georgette Leblanc (sœur de Maurice Leblanc, l’auteur des aventures d’Arsène Lupin), chante le rôle de Mélisande. Son génie de l’orchestration et son attention aiguë aux couleurs instrumentales font de Debussy le digne héritier de Berlioz et l’égal au moins de son contemporain Ravel. Les titres évocateurs de ses pièces illustrent d’ailleurs assez bien cette ambition, même s’ils ne sont qu’indicatifs et ne constituent pas de « programme » : Des pas sur la neige, La Fille aux cheveux de lin, Ce qu’a vu le vent d’Ouest, La Cathédrale engloutie, etc. [86], In a survey of Debussy's oeuvre shortly after the composer's death, the critic Ernest Newman wrote, "It would be hardly too much to say that Debussy spent a third of his life in the discovery of himself, a third in the free and happy realisation of himself, and the final third in the partial, painful loss of himself". "[87] During the next few years Debussy developed his personal style, without, at this stage, breaking sharply away from French musical traditions. [95], Musicians from Debussy's time onwards have regarded Prélude à l'après-midi d'un faune (1894) as his first orchestral masterpiece. Ajouter au panier Impressions : The Sound of Claude Debussy Best Of Coffret Digipack - CD album (CD album). En 1888, il se rend à Bayreuth où il assiste à plusieurs opéras de Richard Wagner : Die Meistersinger von Nürnberg (Les Maîtres Chanteurs de Nuremberg), Tristan und Isolde, Parsifal. Messiaen, Takemitsu, Dutilleux et de nombreuses figures incontournables de la musique du XXe siècle reconnurent en Debussy si ce n’est leur maître commun, du moins celui grâce auquel la musique occidentale tout entière pouvait connaître une nouvelle et magistrale Renaissance. Claude Debussy na bankovcu za 20 francoskih frankov. Claude Debussy wurde am 22. [87] Newman remarked that, like Chopin, the Debussy of this period appears as a liberator from Germanic styles of composition – offering instead "an exquisite, pellucid style" capable of conveying "not only gaiety and whimsicality but emotion of a deeper sort". "[35] During his years in Rome Debussy composed – not for the Academy – most of his Verlaine cycle, Ariettes oubliées, which made little impact at the time but was successfully republished in 1903 after the composer had become well known. », « À ma très chère Chouchou… avec les tendres excuses de son père pour ce qui va suivre », « avant-propos éternel d’un propos qui jamais n'adviendra », « les Grecs étaient superficiels par profondeur ». A fictionalised and melodramatic dramatisation of the affair. He wrote incidental music for King Lear and planned an opera based on As You Like It, but abandoned that once he turned his attention to setting Maeterlinck's play. Littérature Claude Debussy and Maurice Ravel are generally considered the greatest Impressionist composers, but Debussy disavowed the term, calling it the invention of critics. [145] Debussy was much in sympathy with the Symbolists' desire to bring poetry closer to music, became friendly with several leading exponents, and set many Symbolist works throughout his career. [118] Lesure takes a similar view, endorsing Howat's conclusions while not taking a view on Debussy's conscious intentions. Images pour orchestre, L. 122, is an orchestral composition in three sections by Claude Debussy, written between 1905 and 1912.Debussy had originally intended this set of Images as a two-piano sequel to the first set of Images for solo piano, as described in a letter to his publisher Durand as of September 1905. Claude Debussy is a featured article; it (or a previous version of it) has been identified as one of the best articles produced by the Wikipedia community.Even so, if you can update or improve it, please do so. Claude Debussy in 1908. [38] He commented in 1903 that Wagner was "a beautiful sunset that was mistaken for a dawn". [6] In June 1885, Debussy wrote of his desire to follow his own way, saying, "I am sure the Institute would not approve, for, naturally it regards the path which it ordains as the only right one. The Academy chided him for writing music that was "bizarre, incomprehensible and unperformable". La mauvaise santé du compositeur rend ce voyage éprouvant. [51] Finding the hostility in Paris intolerable, Debussy and Emma (now pregnant) went to England. Le thème est exposé dans un mode pentatonique de mi superposé à la gamme de mi majeur. Confiant son élève Cuignache à l’un de ses camarades, et les cours de chants étant en congé, il écrivit à Nadejda Von Meck pour de nouveau passer un séjour avec elle et sa famille. Biographie. [50] The marriage lasted barely five years. Claude Debussy est né à Saint-Germain-en-Laye le 22 août 1862 et mort à Paris le 25 mars 1918. Maeterlinck wanted his mistress, Georgette Leblanc, to sing the role, and was incensed when she was passed over in favour of the Scottish soprano Mary Garden. Debussy se smatra jednim od najoriginalnijih muzičkih umova na prelazu u 20. vijek. Il semble qu’il ait surtout eu à jouer de la musique de chambre. Er war das älteste von 5 Kindern in der Familie. He set Dante Gabriel Rossetti's The Blessed Damozel in his early cantata, La Damoiselle élue (1888). Écoutez gratuitement en ligne la sélection France Musique. Au bout de deux ans, Debussy donne sa démission au Conservatoire et rentre en France. [87] In a 2004 study, Mark DeVoto comments that Debussy's early works are harmonically no more adventurous than existing music by Fauré;[94] in a 2007 book about the piano works, Margery Halford observes that Two Arabesques (1888–1891) and "Rêverie" (1890) have "the fluidity and warmth of Debussy's later style" but are not harmonically innovative. He described the symphonies of Schumann and Mendelssohn as "respectful repetition", In a letter of 1908 he wrote: "I am trying to do 'something different' – an effect of reality ... what the imbeciles call 'impressionism', a term which is as poorly used as possible, particularly by the critics, since they do not hesitate to apply it to [J.M.W.]. » La rupture que Debussy instaure volontairement entre le goût classique, dont musiciens et mélomanes possèdent les codes, et la musique nouvelle qu’il défend, est l’une des racines du divorce partiel entre le public et la musique contemporaine. Changement qui, selon certains, est à mettre au compte de l’adolescence. Lors de nouvelles épreuves, Debussy obtint cette fois la 2e médaille en solfège. Writing soon after Debussy's death, Newman found them laboured – "a strange last chapter in a great artist's life";[87] Lesure, writing eighty years later, rates them among Debussy's greatest late works: "Behind a pedagogic exterior, these 12 pieces explore abstract intervals, or – in the last five – the sonorities and timbres peculiar to the piano. Debussy's body was reinterred the following year in the small Passy Cemetery sequestered behind the Trocadéro, fulfilling his wish to rest "among the trees and the birds"; his wife and daughter are buried with him.